Somehow we expect their faces to be different, not so staggeringly modern looking. Place them in contemporary clothing and all of these young men would not look out of place in a mall or a high school yearbook. Yet these extraordinary ambrotype and tintype photographs were taken during the American Civil War (1861-1865). Over 160 years separates their lives from our own yet their youthful faces retain a powerful resonance and an immediacy which brings that dreadful conflict feel strikingly close to us..
Who were these young men? What sort of lives did they live during and (one hopes) after the Civil War? The names of many of the young men pictured here are unknown; their fates a mystery. Yet despite the century and a half gap between their careful posing for the camera, some can still be identified. Astonishingly, names can still be discovered, as well as insight in to their character and personality.
So, now you have watched Christopher Nolan’s The Odyssey,
you think you know how the Trojan Horse was used to defeat the ancient city?
Pah! Nolan knows nothing!Despite his
movie being an extended homage to Old Hollywood in so many ways, what we
really needed was a touch of The Python.And not one to disappoint, Ben Naumann’s new
comedy short is something I could easily imagine young Cleese, Palin, Chapman,
Gilliam, Jones and Idle doing.Wait, I almost
forgot; they did the Trojan Rabbit scene in Monty Python and the Holy
Grail (1975). Arthur and his knights build a huge wooden rabbit to sneak
into the French castle. The plan goes wrong when they forget to hide inside it
before the French take it into the castle!
In this sketch, the Greeks have not forgotten to climb
inside – but they are faced with some unexpected issues… Will it go right for
them, despite one of them suffering from the intense agony of a repressed fart.
It’s about as historically inaccurate as it should be – I wouldn’t demand anything
less from a comedy sketch by Americans, who only have approximately a day and a
half of history between the lot of them. I would have bitterly complained if we hadn’t been given warrior
girls and the like. But it is funny.The
sketch features Brian Beckerle, Graham McClanahan, Phoebe Black-Toby, Eddie
Tarr, Will Tully, and Harkness Granger. Not a single Greek name among them.
Pfft!
It’s difficult to ascertain the damage that climate change
has caused simply because there are so few places on the planet where we are
not found.Human intervention creates
artificial change, so in order to work out the real impact of climate change,
you need to find somewhere pristine, somewhere we have never been.That’s quite difficult, considering the
billions of us that have spread like a virus over the surface of the Earth!
However, Mount Lico was identified by Julian Bayliss (Oxford Brookes
University) as a place of special scientific interest by using Google Earth of
all things. Image
He recognised Mount Lico as an inselberg – an isolated small
mountain that rises, as if by magic, from a virtually level plain.Think Uluru in Australia, probably the most
famous example of this kind of geographical formation.He spotted that the land round the mountain
was heavily agriculturalized but atop its sheer rock walls of up to 700 metres,
was a pristine forest covering about 30 hectares (74 acres).In a scientific version of Let’s put on a
show he gathered a group of unpaid scientists to go with him to Mozambique
to study Mount Lico’s landforms and vegetation.
The film below was directed by Orlando von Einsiedel and
tells the story of both the climb and the study. It appears on the Nobel Prize YouTube channel. I am not going to do a spoiler alert - find out what they discovered by watching the short documentary. I will say, though, that I was struck by how genial Julian Bayliss
was, and I thought that, if this were ever made into a film, Martin Freeman
would be brilliant as him! I know, I know, I
should be focusing on the content…
Here’s a plea – will someone who knows someone who sleeps
with someone who works with someone who can fund an animated series, please put the relevant person or
persons in front of Samurai Frog Golf.I have no idea why this awesome piece of animation hasn’t garnered
millions of hits, but I guess I would have to ask The Algorithm and it’s
currently not speaking to me.Regardless, this short by Marza Animation Planet deserves a much
larger audience than it got a few years ago.It tells the story of a grizzled old Samurai Frog, who after years of
battle just wants to be left alone to enjoy his golf. What drew me in was the gorgeous animation - such a great deal of time and effort has been put into making this short.
Fate, of course, would have otherwise – and he soon finds
himself the protector of a baby turtle. There is nothing for him to do but to
protect the innocent, but the only thing he could use as a weapon is his golf
club… I will leave the rest to you to watch.I thoroughly enjoyed this and I hope that Marza is still looking for
coproduction partners to continue the story of Samurai Frog Golf in a series! To give up on this brilliant idea would be
such a shame…
When late to open the Commonwealth Games, King
Charles and Queen Camilla had only one option – to requisition the Tardis to
ensure that they arrived on time. That’s the amusing premise of this
intro to the opening of the games (July 23). Echoing his mother’s
(the late Queen Elizabeth II) James Bond escapade for the opening of the London
Olympics in 2012, another Great British Institution (that’s GBI for short) has
been used to create a playful and unforgettable entrance to the Commonwealth
Games 2026, in Glasgow, Scotland.
There's even something of a plot – and while not the new material that
fans might have been wishing for – it’s a typical Tardis tale, with a twist. It’s
the Tardis that kick-starts the whole adventure. Created by the BBC especially for the event, it opens with Olympic cyclist Sir Chris Hoy and comedian
Greg McHugh walking past a seemingly innocuous police telephone box, only for its
phone to ring.On answering, they learn
that their majesties are going to be late for the opening ceremony, but there is no Doctor to whisk them
away - he is nowhere to be seen.Never mind, the Tardis takes matters
into its own (metaphorical) hands.
With a great little cameo from 82-year-old Sylvester McCoy (the seventh Doctor),
this really does push all the right buttons when it comes to providing an
entrance for KC and QC at the Commonwealth Games. And talking of buttons, Hoy and McHugh don’t
really have a clue how to drive a Tardis... but it gives the BBC a great excuse to show off some pretty Scottish scenery. Watch the video below.
Is the internet broken?What would your answer be?My
knee-jerk response, with little to no reflection, is “bloody hell, yes”.Yet giving it a little more thought, I think
my response is more likely to be “it’s as broken as you want it to be”.Throughout history, we have had cultural
revolution after cultural revolution – and whether our distant ancestors would
like us (or vice versa) if we were to somehow meet, we’ll never know. My guess
is that they would be bewildered by us, frankly.Yet each new development presented different opportunities
to different people.Take literacy –
after its development, some wrote poetry while others scribbled graffiti on
walls (Pompeii is a great example, where it survived unlike the scrolls the
poetry was written upon).Then there was
television.The BBC (which made this
video) set out to inform and educate the masses, while the commercial channels
quickly got the upper hand (viewer wise) by bestowing us with gifts like the soap
opera and the advertising break.
And then, of course, there is the internet.On one hand, we have the likes of Jimmy Wales
(founder of Wikipedia) who wish to disseminate and make available knowledge
that in terms of its accessibility, our grandparents could only dream of. Now we can settle arguments in a second, a few
clicks and swipes…but fifty years ago,
if you were debating the name of the capital of Mongolia, and you didn’t happen
to have an encyclopaedia to hand, the correct answer would take a while to
ascertain.You get my drift.On the other hand, we have a host of
companies trying to sell us their product at any cost, social media turning our
children into slavering zombies and artificial intelligence, which isn’t always
right and doesn’t care either way.Add engagement
algorithms into the mix and perhaps the tool had become the master…
There’s a clip in the video below about just that,
really.When asked about the internet by
an interviewer “But it’s just a tool, isn’t it?”, David Bowie responds with:
“No it’s not. It’s an alien life form”.Perhaps he could have added “intent on world domination not by death and
destruction but by stealth and seduction”.The video features interviews with several people who know what they’re
talking about, including Wikipedia founder Jimmy Wales, Hatelab director
Matthew Williams, author (whose novels are free on Project
Gutenberg so he puts his money, as it were, where his mouth is) and
activist Cory Doctorow. There are also some students at the University of
Cardiff, who seem equally as baffled and bewildered by both the past and the present,
bless ‘em.
Get ready for a buzz explosion! The official music video by Avantgardey for their single
Buzz Runner, is finally out – and it doesn’t disappoint. As chaotic
and visually stimulating as you might expect. Although there is no
cohesive story to the video, I would say it is something along these
lines. You might not get what you expect from social media and often
people will post things about you that are hurtful and unnecessary. However,
take solace in the fact that you are an extraordinary individual with real
inner strength and resilience – not to mention the ability to eat cakes many
times your size and deal with the occasion Tyrannosaurus Rex without any
problem whatsoever. Your presence is going to blow up! Well, that’s just my take on it – I think there
is plenty of scope for you to make of this what you want to make of this, and there may be something of a cautionary tale embedded in here... somewhere! As ever for this group, it’s
deliriously frenetic and positively joyous – an Avantgardey video always makes
my day simply because of its incredible joie-de-vivre.
I'm not entirely sure what Buzz Runner itself
means. It reminds me of Blade Runner, so there could be a
connection there, except that here the girls are rushing after the buzz of the online
moment, not androids! Answers on a postcard, please! I think it is about the lengths people go to in order to attract attention on social media. After all, the first line translates as Likes
are oxygen, my oxygen.
At the time of writing, this only just premiered on
YouTube. However, fans are already absolutely loving how chaotic,
hilarious, and packed with detail the new video is, with many saying there is
they are going to have to watch it numerous times in order to take everything
in. The early viewers also praised the incredibly elaborate visuals
and the unique, quirky personalities of each member. There are
several memorable moments that they have pointed out - Nona's dash, Miyuu's
"killer eye-beam," Sei-chan's adorable opening, Pani's sky bowl, the
water backflip, and the unexpected lion (not to mention the
T-Rex!). So, you could say that the reaction is very positive!
The track itself was choreographed by akane, the leader and
creative force behind Avantgardey, who also contributed to the music and
lyrics. If you like Avantgardey, then the video will not
disappoint. If you are new to this Japanese sensation, then… where
have you been?
When I first started to watch this clip from Toomorrow,
I initially thought that it was a very cleverly rendered pastiche of late 1960s
pop music.The colours were spot on, the
costumes were groovy and the music very much of its time.Then I had a wait a second moment
because the girl singer in the clip looked remarkably like a young, pre-Grease
Olivia Netwon-John (or Neutron-Bomb as we would sometimes call
her).Sure enough, a little research
(OK, reading the video's information) told me that it was indeed a 21 year old ONJ, from a 1970
science-fiction musical (the first?). It was about a band kidnapped by aliens (a couple pictured below) to save
their species… with music. I’m not alone in thinking this was a modern-day, very clever take on the late Sixties. Many
people have commented on this on YouTube, with one saying: was going to comment
that this is the most period-accurate sendup I've ever seen... then realized
why it's so "accurate".
If anything, that made me scratch my head even more, because
being a bit of a science-fiction buff, I might not have been old enough to
watch this movie on its first release, but I would almost certainly have caught
it later on TV (and it looks harmless enough to be repeated ad infinitum
as part of summertime scheduling) or on video release. That was, after all, how
I had discovered a number of films, from 2001: A Space Odyssey to Planet
of the Apes and Barbarella – I could go on. There was a treasure trove of films from the
late sixties for me to get my teenage paws on.
But not Toomorrow. I had
not even the vaguest recollection of this film – and I would almost certainly
have given it a watch had I known of its existence, particularly because of
Newton-John’s subsequent global stardom.
This is short but very sweet.A young mouse, out on an expedition, falls
down a well.Now, that might not end
well (ah!), but at the bottom, in despair, he meets a new friend who might be
the key to his survival.Yet, this
involves sacrifice.I won’t tell you
anymore because spoilers, but give it a watch, particularly if you are
feeling a little down in the dumps today. The screenshot above might give you a small clue, but I have no doubt that Bottom of the Well will cheer you up!
This animated short was the thesis film for two young
creatives at SVA (School of Visual Arts in New York).Xinyu Shen directed and produced, created the
story and worked on the animation and editing.Meanwhile, Charlie Yuyung Luo was co-producer and contributed character modelling,
look development and the 2D cutscene animation.Together they have created something very sweet – and very special.Have a watch below.
We're not a sports website, so we won't pretend to be
experts on Kevin Keegan's remarkable football career (although I really like him when I was a kid). Like millions of others,
though, we were saddened to hear of his passing. While he will forever be
remembered as one of England's greatest footballers and most charismatic
managers, there's another, rather unexpected chapter in his story that many
people may have forgotten - or perhaps never knew. In 1979, at the height of
his fame, Keegan ventured into the music charts with Head Over Heels in Love,
a surprisingly successful single that became a hit in several European
countries (Top Ten in Germany, where he was playting at the time) and remains a fascinating footnote in the career of a true sporting
icon.
The outpouring of tributes following Kevin Keegan's death
reflects not only his extraordinary football career but also the affection in
which he was held as a person. Just on this obscure YouTube video alone, fans are remembering him as "King Kev," a
footballing legend and a true gentleman whose influence stretched far beyond
the clubs he played for and managed. One supporter recalled following whichever
team Keegan played for as a child, while another said he was the reason they
became a Newcastle United fan in 1994. Others remembered his trademark curls,
describing him as their first crush, or simply mourned the loss of a hero who
inspired generations. Even listeners who first encountered him through his
recording with Smokie shared their sadness. The messages came from across
Europe, with one fan poignantly observing that "Germany mourns an
exceptional English player," underlining Keegan's enduring international
appeal.
As fans around the world remember Kevin Keegan the
footballer, it's worth also remembering Kevin Keegan the entertainer. Head
Over Heels in Love may never rival his achievements on the pitch, but it
remains a charming reminder of a time when one of football's brightest stars
wasn't afraid to try something completely different.
Last year we brought The People of 1925 figuratively back to life in an article that went beyond the politics of the day to focus on ordinary people leading everyday lives. It attracted a wider readership than we expected, so we've decided to follow it up with The People of 1926.
The research is taking a little longer than anticipated (just as it did last year), but look out for the article over the next few weeks. As before, we'll be exploring the faces, fashions, and fragments of ordinary lives from 1926, and, where possible, discovering what happened to those people afterwards.
I had an email from one of my former students, Will Ross, the
other day. It was short and sweet (which
was surprising considering the reams he used to write for classwork just, I
suspect, to extend my marking misery). Regardless, he moved on to pastures (and professorial victims) new
and I thought I’d seen the back of him. But oh no – he just had to share his
latest video with me because “I remembered that Welsh people have a sense of
humour too”. I should refer him to something
widely but incorrectly attributed to Dylan Thomas: “The Welsh pray on their knees
on Sunday, but prey on their neighbours for the rest of the week”. It’s a bad play on words, but if you enjoy
that kind of thing, then watch Will’s video; it’s full of them…
We have former roving but sadly disgraced (don’t ask) reporter
Justin Time - who occasionally changes his name – reduced to producing his own
TV Chat Show at home.Never mind, he has
the coup of the century – any century - an interview with Adolf Hitler (who
just happened to be in the area promoting his new vegetarian cookbook and believes that Justin still works for the BBC).Justin doesn’t spare the sometime dictator –
he goes straight in for the kill with a series of questions that are a
combination of probing, persistent and provocative. No, sorry. They’re puerile,
preposterous and piss-taking – which is what makes them funny. I must admit I
missed a few of the punchlines the first watch, but Mr Time quickly beats the
boy from Branau into a corner where there is just one (not even a last) resort…
I think if Terry Jones had had access to video technology,
then this is exactly the kind of thing he would have been making in his Colwyn Bay
living room.It’s rough around the
edges, for sure, but it did what it set out to do – provoked laughter.Have a watch – and yes, of course I am
featuring this just in case Will is hailed as a comic genius in ten years.I will also be available for interview (for a small fee) where I can
expound on Will’s classroom antics, but could I have Louis Theroux rather than
Justin Time, please? He might let me off more lightly.
When the gods wish to punish us… and if you’re twins, then
your run the risk of double trouble.
This animated short from Rubika students tells the story of a pair of
twins who are rescued by the gods and are gifted a place to live. Twin Island East for one, and Twin Island
West for the other. The only problem is
that the gods (twins themselves) ordain that everything must go two by two in a
kind of cult of symmetry. That leads to
a big problem when the queen of Twin Island West gives birth… and it isn’t
twins!
To find out what happens, watch the video the below.This very professionally made animation is
the work of directors Manon Sailly, Charlotte Sarfati, Christine Jaudoin, Lara
Cochetel, Raphaël Huot, and Fanny Teisson with music and sound design by Valentin
Lafort. Voices are by Daphné Westelynck, Robert Bennett, and Eon Ballinger. There is a little twist in the tale, so watch to the very end!
We don’t usually feature fashion on Kuriositas, but when
this video of Robert Wun's FW26 (which stands for Fall/Winter 2026 in case you didn't already know) Haute Couture show, Childsplay, popped
up in my feed, I felt I had to share because these clothes are something else.The event took place on Wednesday, 8 July
2026, during Paris Haute Couture Week at the Dôme de Paris – and if your
reaction is like mine, it will be something along the lines of who the hell is
ever going to wear these?
I remember being schooled on haute couture by a friend.She told me that the question was almost an
irrelevance – that it wasn’t the point of the exercise.That, of course led to more questions from me…
The answer was (with a slight roll of the eyes, if I
remember correctly) that haute couture sits somewhere between fashion and art.
The runway pieces are not designed for everyday life; they are a showcase of
imagination, craftsmanship and what a designer can achieve when there are no
practical limits. Think of them less as clothes and more as wearable
sculptures. Well, that was me told – and so since then I have always looked at
these events less cynically.
Childsplay is a perfect example. Robert Wun takes the
memories and imagination of childhood – toys, fairy tales, balloons and
dressing up – and transforms them into astonishing works of couture. It is
playful, but underneath the fantasy is an incredible level of skill, with some
pieces taking hundreds of hours to create. I can't imagine the hours of work that went into my favorite from this show, the spacegirl outfit - you will know which one I mean when you see it!
So, who actually wears them? A very select group:
celebrities, performers, collectors and wealthy private clients. Wun’s clients
have included Beyoncé, Lady Gaga, Cate Blanchett, Cardi B, Adele, Celine Dion,
Florence Pugh and Naomi Osaka, among others. Many of the looks they wear are
custom-made rather than identical to the runway versions. Robert Wun’s
creations have appeared on red carpets and major events, where the clothing
becomes part of the spectacle itself. For these buyers, a couture piece is not
simply an outfit; it is a one-of-a-kind work of art.
And perhaps that is why Childsplay is worth watching.
You may never own one of these creations, and you may never have an occasion to
wear one, but for a few minutes Robert Wun reminds us of something we often
lose as adults – the joy of imagination without limits.
Perhaps we spend so long looking at the main creature feature of giraffes – their elegant, incredibly extended necks – that we miss other interesting bits. That may be the case with those things on the top of their heads (and we don’t mean their ears!). So, what are they and what are they used for? The Ark in Space, our sibling site, has a new feature on this most interesting anatomical oddity with a cool gallery of giraffes to boot. So, nudge nudge, wink wink, pop over and take a look!
Have you ever had a romantic moment interrupted? It can be
annoying – and it is certainly the case for the two lobsters in Tanked
an award winning animated short by Duncan Rudd.Their tango in a tank is interrupted by the chef, who has a dinner order
to fulfil and a sadistic gleam in his eye.Well, you know what karma is…
Tanked was something of a passion project for Rudd, who
fitted it in around family and work commitments over a period of nine
months.Although this animation is short
and sweet, the production values are very high – you feel that you know the lobsters
well from almost the outset – and the chef is a great villain.If you enjoy this, then perhaps try Paul Rudd’s
The Ballad of thePale Blue Dot which we featured on Kuriositas
last year.
Take two banana tree trunks, lash them together, point them
downhill and jump on board.Get your
mates involved and turn it into a competition.You might not associate Easter Island with extreme sports, but they have
been part of the island's culture for centuries (with the occasional hiatus).There is no doubt that the highlight of the
annual Tapati Rapa Nui Festival is the Haka Pei competition. Although the
festival also celebrates Rapa Nui culture through singing, swimming, cooking
demonstrations and countless other events, few can compete with the spectacle
of hurtling down the side of an extinct volcano wearing nothing more than a
loincloth and body paint. Image Credit
The origins of this sport trace back to an ancient Rapa Nui
rite of passage, where young people tested their courage by taking on the
daring haka pei descent. Completing the challenge proved they possessed the
bravery and resilience expected of adults, earning some the status of matato'a
- elite warriors. In this tradition, the haka pei marked the passage from
childhood into adulthood.
Another account tells a different story. Rather than a
coming-of-age ritual, the haka pei may have been a form of warrior training,
designed to instil fearlessness and prepare fighters for clashes between rival
clans on the island.
Does the exact origin of the sport matter?Not to the huge crowds gathered at the bottom
of the hill, waiting to see how each of the twenty or so competitors will fare.Who will travel the furthest? Or who will be
unfortunate and be flung off their fragile sled half-way down?The anticipation is huge, not least among the
competitors, and it is great to see how they congratulate each other so
enthusiastically when their mission is complete.The hill is covered in grass, but beneath
that thin layer lies volcanic tuff capable of breaking bones when riders crash.
And crashes do happen. As you might imagine, health-and-safety officials are
not among Haka Pei's biggest fans. However, it all seems the height of fun for
young men with more courage than common sense!Flippancy aside, I can’t think of a better way to keep an ancient
culture alive.Watch the video below to enjoy haka pei in all its glory for yourself.
This video by Rational Animations begins with Babbage's
Analytical Engine, which may leave you wondering why. Well, he did design history’s
first programmable computer and even though it was back in the Victorian era, a
video about AI must start somewhere. Of course, as the video is called Can AI Come Up With Original Ideas?we know that more is to come – and it
gets to Aletheia and Google’s AlphaEvolve in due course.
Babbage’s design was never built, so the steampunk era remains
(more or less) a fantasy.His ideas were
expanded upon by Ada Lovelace, who took things to another level by wondering
whether machines – computers – could come up with their own ideas. Now, Ada
thought that they couldn’t (not Babbage’s at any rate).After all, artificial intelligence lacks
artifice, therefore intelligence (not to get too philosophical). Or does it?
Coming up to our own day and age, it is the lack of clarity
around what counts as a new idea that complicates things.As an English teacher, I will certainly go
with the fact that each and every story ever told usually revolves around (at
least) one of six basic plots So although something may seem fresh and original
- Harry Potter, for example, thirty years ago - it often succeeds
because it repackages something timeless for a new generation.
And so, it’s up to you to see what comes next by watching
the wonderfully told video below – and I have to say the animations are just
brilliant too.Do our machines simply
follow our instructions with a little randomness thrown in (aka genetic
algorithms) or is there more at play here, such as neural networks? Who can
say, but I certainly didn’t think I would be coming across stochastic parrots
today – or grokking for that matter (sounds a bit Carry On, if
you ask me). Watch the video and decide for yourself whether today's AI is
doing anything genuinely original. I
watched it twice – and I will admit, I did enjoy it the first time, but the
second time was to understand it. It doesn’t half pack a lot into 13 minutes.
Just before you watch the video, I asked Chat GPT what it thought of the video – in a nutshell.It said: “Watching it is a bit like following Alice down the rabbit
hole, except the White Rabbit is Charles Babbage and the Cheshire Cat is a
stochastic parrot.”Ah, the times in
which we live.
I didn’t realise that Echo & the Bunnymen was still
going as a band, but after hearing Brussels is Haunted, I am glad that it
is. I remember Ian McCulloch leaving the
band in the late 1980s and then there was a resurrection in the late 1990s with
Evergreen, but after that I lost track. They are now apparently a two-piece,
with original members Will Sergeant on lead guitar and
programming and Ian McCulloch on vocals, rhythm guitar and
keyboards. So, you can tell I’m not a
diehard Bunnymen fan, but I think Brussels is Haunted is a great track. Plus there is a new album, Apples for Isaac coming out in September.
You can watch the video below, which is by Jef de Smet, and
an intriguing, animated piece that matches the mood and the lyrics perfectly. Even though I was a little disappointed that there
wasn’t a performance of the song as such, the video is a fantastic evocation
of Brussels as a place of ghosts, memories and faded glamour - a city where
history, art and personal stories seem to linger in every street and square.
Like the song itself, it feels both nostalgic and slightly unreal, capturing
that very Bunnymen combination of beauty, mystery and melancholy.Plus, any song that namechecks Plastic and Bert Bertrand
is going to get a listen or two from me…
Brussels Is Haunted feels like Echo & the
Bunnymen turning Brussels into a dreamscape where personal memories collide
with European history. The city is haunted not by ghosts alone, but by wars,
art, romance and lost moments - from World War I, Waterloo and World War II to
the imagined threat of World War III. In classic Bunnymen fashion, melancholy,
myth and destiny blur together: Brussels is haunted because we are.
As a quick aside, while I wrote this, I put Ocean Rain
on – because why not? I’ve already put a sell-by date on myself by saying I remember
the original split and so a little wander down memory lane wasn’t going to do
me any harm.I think almost anyone of my
generation will recognise the opening chords of Silver – the first track on the album and although I
believe that most people will say The Killing Moon is the standout track
on the album, for me it’s The Yo Yo Man.It’s amazing to think how the Bunnymen pumped out four brilliant albums
over the first five years of the 1980s (and that we took it for granted!).I seem to remember McCulloch describing Ocean
Rain as the greatest album ever made – and he wasn’t that far wrong,
frankly.Brussels Is Haunted
is pretty good, too… and after decades of Bunnymen mythology, perhaps the only
thing left is to mythologise the mythology itself.
The Adiyaman Province of Turkey in the south east of the country is not wealthy – it is still classified as a developing rural region. Yet 25 miles from the small town of Kâhta the visitor discovers the remnants of once fabulous wealth. High on the summit of Mount Nemrut is a huge but little visited necropolis, home to the beheaded gods of the past.
The Borrower community is agog with excitement. At last,
they have The Wee Tiny Art Gallery on London’s Princelet Street, near Brick
Lane: a space where people of their diminutive stature can admire fine art at
reasonable prices. Who am I trying to kid? They’re going to borrow it, of
course. Even so, it saves them from scaling enormous walls just to inspect a
painting, and its contents are perfectly sized to fit into any cosy little
niche at home. As you can imagine, queues are already forming. Image Credit
Flippancy aside, you would probably walk straight past it - zooming out shows you just how tiny it is. Created through a collaboration between McKay Lenker Bayer of the Tiny Art
Show, illustrator Holly Welch, and small-spaces builder and artist John
Connors, this miniature masterpiece is both a gallery and a work of art.
Showcasing Holly Welch’s exquisitely detailed miniatures within a beautifully
crafted structure, it is almost certainly the smallest art gallery in London
and the UK - and quite possibly the smallest in the world. We would ask a Borrower, but not one seems currently available for comment...
The video below by Daft
Monkey goes into more detail about the Wee Tiny Art Gallery. Press play and it will go straight to the part about The Wee Tiny Gallery (about the five minute mark, although the rest of the video is very interesting too!).
If you would like to see how it was made, here is a short video by the artists.
Bog is an enigmatic, beautifully made animated short, written
and directed by Éabha Bortolozzo and Jack Kirwan. Our young protagonist, Oisin
(pronounced uh-SHEEN and meaning Little
Deer) embarks on a poignant journey through the mysterious depths of the
bog.There, he uncovers the buried
memories of his beloved father. Guided by the majestic spirit of the Great
Irish Elk, he confronts his father's pain and suffering, gradually coming to
understand the emotions that have shaped them both. As he descends ever deeper
into the earth, Oisin also discovers a greater understanding of his own
feelings and learns how to express them with honesty and clarity.
Among others, Tom Vaughan-Lawlor lends his voice to the
film. One of Ireland's most acclaimed actors, he is best known for playing the
unforgettable Nidge in Love/Hate, while international audiences will recognise
him as Ebony Maw in Marvel's Avengers: Infinity War and Avengers: Endgame. His
impressive screen career also includes Peaky Blinders, Dublin Murders and
numerous acclaimed stage productions.
For me, the fact that the spirit animal spoke the Irish
language, while Oisin spoke English (even though they understood each other
fully) added an extra layer of melancholy to the story. It may not have been deliberate, but it
underlines the profound changes that Ireland has been through over the last few
centuries – and represents something else that was taken away from the Irish
people.Watch Bog below.
Can machines think?Alan Turing may have shortened the war by cracking Enigma,but it was answering this question that may well have been his greatest
achievement.This great, highly
informative video from History Extra shows how, as part of a group of
mathematicians, Turing imagined machines that could think and solve problems
independently of human intervention. This was, of course, more than seven
decades ago…
After the war, Turing turned his attention to the
possibility of machine intelligence. In 1950, he published his groundbreaking
paper Computing Machinery and Intelligence, in which he introduced the
Turing Test - also known as the "imitation game" - as a way of
assessing whether a machine could demonstrate intelligent behaviour. The ideas
he explored remain highly relevant in our age of generative AI. I wonder what he would make of the collage of his life I just requested from an AI model (top)?
Turing’s death by suicide at the age of just 41 reflects the
times in which he lived. He was unable to play the imitation game of
pretending to the world to be heterosexual and so, despite the accolades for
his war-work, he was pursued and prosecuted for being himself. This led to his
death.Later, of course, he would be
celebrated as the father of modern computing – I just find it a desperate shame
that he died thinking that his reputation was irrecoverably damaged.
Watch the fascinating video about Turing’s life and
achievements below.
Nobody teaches us to say it, and yet
everybody says it. I just need to get away for a while. We say it after bad
years and bad news, after burnouts and break-ups, and sometimes after nothing
we can name at all. The curious thing is not that we say it, but what the
sentence assumes — that whatever is wrong with us is somehow anchored to where
we are, and that a sufficient quantity of distance will loosen its grip.
It is a very old assumption indeed. For as
long as human beings have been getting themselves into trouble, they have been
packing their bags and going somewhere else to get better. The question worth
asking is why we remain so certain that it works. Image Credit Wikimedia
The Ancient Roots of Retreat
The retreat, it turns out, is one of
humanity’s most persistent inventions. The ancient Greeks travelled
considerable distances to sleep in temples dedicated to Asclepius, the god
of healing, in the hope that a cure would arrive in a dream — an
early example, perhaps, of the restorative mini-break. The early Christian
hermits went further still, walking into the Egyptian desert to be
spectacularly alone with their thoughts. Medieval pilgrims wore out their shoes
on the road to healing shrines, and monasteries perched themselves on mountains
and remote islands with what can only be described as deliberate inconvenience.
It would be easy to mistake all this for
escape, but that rather misses the point. The hermit was not running away from
the world so much as constructing a silence in which he could hear himself
think. To retreat, in the original sense, was not to flee. It was to create
enough distance from one’s ordinary life that one might return to it as
somebody slightly different.
I have always been a little uneasy about human bodies in
museums, regardless of their age. It isn’t a disquiet based on religion, but
around the issue of permission.I’m
opting for cremation when my last page turns, and that will avoid me becoming
the Tollund Man of the year 4000 no matter what the cause of my demise
(hopefully). I wouldn’t want people gawping at my human remains – although I can
think of any number of people who would probably relish the thought of people
looking at them thousands of years in the future. Not my kind of immortality, I’m
afraid!We will obviously never know
what Tollund Man or Grauballe Man, two of Denmark's most famous
'bog bodies,' preserved for over 2,000 years in peat bogs mightthink of the ultimate fate of their bodies.It’s unlikely that they would even understand
the concept of a museum, let alone their place in it.And besides, besides, besides…
On to the video. Ole Nielsen of the Silkeborg Museum walks us through the
discovery of Tollund Man, whose case was as cold as can be (even though his
death was not natural), but whose face is the best-preserved from pre-history
that we have and who gives us many clues about what life was like in the way
back when.The team at the museum also
use cutting-edge technology to see more of Tollund Man’s physiology – and the
results are remarkable. What I always find even more fascinating, though, are the reconstructions of ancient faces - and there is one at the museum which shows us what Tollund Man would have looked like just before he died. I used that to ask AI to visualise him in his native habitat - that's the image you see at the top of this post.
As I said, I do have
some reservations around bodies being exhibited in museums, but was a little
comforted (if that is quite the right word) by one of the comments on the video
by @LPdedicated.It goes: “I worked at
Silkeborg Museum and every morning when I opened the exhibition, I would just
sit in the room with the Tollund man in silence for a few minutes before I went
to my office… Fun fact: every year at the start of November his birthday is
celebrated at campus".So, although he
could never envision what would happen to him after his death let alone give permission, at least Tollund
Man had some at least one thoughtful companion in the museum.I am sure the commenter is not the only one to have spent time
reflecting in this manner – and there aren’t many people who have been dead
2,400 years whose birthdays are still celebrated. So perhaps TM wouldn't be too unhappy about it, after all.
I digress.Watch the
fascinating video about the Danish bog bodies below.
As you (may) know, at Kuriositas we like to showcase some of
the best student-created animated shorts.Many, if not most of them, tell stories that are action-heavy, which
helps show off the technical prowess of the students.Fire is something quite
difference.While it certainly covers
the elements that the students must show in order to complete their degree,
this tells and altogether different story.As such it is refreshing to see a group of collaborators take such a
distinct and different pathway to the norm.What we get initially is a beautifully rendered series of images of a languid
summer’s afternoon, almost as if time has stood still. It's a perfect summer's day. A cat is our protagonist (if it can be called
that) as he meanders around the yard and inside the house. Yet even as he does
so, there is a steadily increasing sense of unease that something isn’t quite
right.
Of course, the house has been abandoned due to an encroaching
fire.It’s a prescient piece of
filmmaking in that respect, as so much of Europe has been impacted by successive
heatwaves over the last few months.As
the fire encroaches, its impact is felt. This is an impressive piece of
animation, one that had me transfixed from start to finish.Congratulations to the directors, Baptiste
Fraboul, Esther Lamassoure, Julie Le Forban, Valentin Serre, Léna Gittler, and Florent
Sabuco of École des Nouvelles Images for producing something so special. Fire
was produced by Julien Deparis, and sound design was by Pierre-François. I would also like to specially mention the
soundtrack by Mathis Coopman which superbly catches the atmosphere of the
disaster in a very Pink Floydy kinda way, combining with the animation to create something truly cinematic.No wonder this animated short has won awards!
Graphics used to be the headline act. For years, gaming’s biggest selling point was simple. How real can we make this look?
Each new console generation arrived with a quiet sense of anticipation, bringing sharper textures, richer lighting, and more detailed worlds to explore. You could feel the progress, even in small moments.
The release of the PlayStation 3 almost 20 years ago, that transition from the 480i standard definition era to 720p/1080p HD, was one of the most notable improvements to happen in one big jump.
The way light hit a surface, the way a character moved, the way a landscape stretched out in the distance.
Trailers leaned into that sense of discovery. They lingered on environments, on faces, on tiny details that showed how far things had come. There was a kind of fascination in seeing familiar ideas rendered with just a little more clarity, a little more depth.
Playing a new game felt like stepping into something that had been carefully built to be seen as much as experienced. There was time to take it in, but now expectations have shifted with the rise of esports.
Competitive players see graphics differently. A dropped frame can cost a match. Visual clarity is information, not feeling. Graphics create fairness, not atmosphere. A new generation of players will sit in front of Twitch streams and be able to watch, interact, and even use top US online casinos to bet on live video games.
Few games have travelled as far, or changed as many times, as bingo. It has been a Renaissance-era state lottery, a French parlour game for the aristocracy, a German teaching tool for schoolchildren, and a beloved fixture of seaside halls and community centres. Today it lives happily on screens around the world. The story of how a simple game of matching numbers spread across five centuries and several continents is one of the more delightful curiosities in the history of play.
It Began in Renaissance Italy
The earliest ancestor of bingo can be traced to Italy in the 1530s, shortly after the unification of the country's various states. A national lottery called Il Gioco del Lotto d'Italia was established, and remarkably, a version of it still runs in Italy to this day. Players chose numbers in the hope of matching those drawn, and the game became a reliable source of revenue for the state. This early lottery contained the essential seed of bingo: numbers, chance, and the communal thrill of the draw. As the reference workEncyclopaedia Britannica notes, the game has carried many names and forms across the centuries, but that core lottery mechanic has stayed remarkably constant.
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