Have you ever had a romantic moment interrupted? It can be
annoying – and it is certainly the case for the two lobsters in Tanked
an award winning animated short by Duncan Rudd.Their tango in a tank is interrupted by the chef, who has a dinner order
to fulfil and a sadistic gleam in his eye.Well, you know what karma is…
Tanked was something of a passion project for Rudd, who
fitted it in around family and work commitments over a period of nine
months.Although this animation is short
and sweet, the production values are very high – you feel that you know the lobsters
well from almost the outset – and the chef is a great villain.If you enjoy this, then perhaps try Paul Rudd’s
The Ballad of thePale Blue Dot which we featured on Kuriositas
last year.
Take two banana tree trunks, lash them together, point them
downhill and jump on board.Get your
mates involved and turn it into a competition.You might not associate Easter Island with extreme sports, but they have
been part of the island's culture for centuries (with the occasional hiatus).There is no doubt that the highlight of the
annual Tapati Rapa Nui Festival is the Haka Pei competition. Although the
festival also celebrates Rapa Nui culture through singing, swimming, cooking
demonstrations and countless other events, few can compete with the spectacle
of hurtling down the side of an extinct volcano wearing nothing more than a
loincloth and body paint. Image Credit
The origins of this sport trace back to an ancient Rapa Nui
rite of passage, where young people tested their courage by taking on the
daring haka pei descent. Completing the challenge proved they possessed the
bravery and resilience expected of adults, earning some the status of matato'a
- elite warriors. In this tradition, the haka pei marked the passage from
childhood into adulthood.
Another account tells a different story. Rather than a
coming-of-age ritual, the haka pei may have been a form of warrior training,
designed to instil fearlessness and prepare fighters for clashes between rival
clans on the island.
Does the exact origin of the sport matter?Not to the huge crowds gathered at the bottom
of the hill, waiting to see how each of the twenty or so competitors will fare.Who will travel the furthest? Or who will be
unfortunate and be flung off their fragile sled half-way down?The anticipation is huge, not least among the
competitors, and it is great to see how they congratulate each other so
enthusiastically when their mission is complete.The hill is covered in grass, but beneath
that thin layer lies volcanic tuff capable of breaking bones when riders crash.
And crashes do happen. As you might imagine, health-and-safety officials are
not among Haka Pei's biggest fans. However, it all seems the height of fun for
young men with more courage than common sense!Flippancy aside, I can’t think of a better way to keep an ancient
culture alive.Watch the video below to enjoy haka pei in all its glory for yourself.
This video by Rational Animations begins with Babbage's
Analytical Engine, which may leave you wondering why. Well, he did design history’s
first programmable computer and even though it was back in the Victorian era, a
video about AI must start somewhere. Of course, as the video is called Can AI Come Up With Original Ideas?we know that more is to come – and it
gets to Aletheia and Google’s AlphaEvolve in due course.
Babbage’s design was never built, so the steampunk era remains
(more or less) a fantasy.His ideas were
expanded upon by Ada Lovelace, who took things to another level by wondering
whether machines – computers – could come up with their own ideas. Now, Ada
thought that they couldn’t (not Babbage’s at any rate).After all, artificial intelligence lacks
artifice, therefore intelligence (not to get too philosophical). Or does it?
Coming up to our own day and age, it is the lack of clarity
around what counts as a new idea that complicates things.As an English teacher, I will certainly go
with the fact that each and every story ever told usually revolves around (at
least) one of six basic plots So although something may seem fresh and original
- Harry Potter, for example, thirty years ago - it often succeeds
because it repackages something timeless for a new generation.
And so, it’s up to you to see what comes next by watching
the wonderfully told video below – and I have to say the animations are just
brilliant too.Do our machines simply
follow our instructions with a little randomness thrown in (aka genetic
algorithms) or is there more at play here, such as neural networks? Who can
say, but I certainly didn’t think I would be coming across stochastic parrots
today – or grokking for that matter (sounds a bit Carry On, if
you ask me). Watch the video and decide for yourself whether today's AI is
doing anything genuinely original. I
watched it twice – and I will admit, I did enjoy it the first time, but the
second time was to understand it. It doesn’t half pack a lot into 13 minutes.
Just before you watch the video, I asked Chat GPT what it thought of the video – in a nutshell.It said: “Watching it is a bit like following Alice down the rabbit
hole, except the White Rabbit is Charles Babbage and the Cheshire Cat is a
stochastic parrot.”Ah, the times in
which we live.
I didn’t realise that Echo & the Bunnymen was still
going as a band, but after hearing Brussels is Haunted, I am glad that it
is. I remember Ian McCulloch leaving the
band in the late 1980s and then there was a resurrection in the late 1990s with
Evergreen, but after that I lost track. They are now apparently a two-piece,
with original members Will Sergeant on lead guitar and
programming and Ian McCulloch on vocals, rhythm guitar and
keyboards. So, you can tell I’m not a
diehard Bunnymen fan, but I think Brussels is Haunted is a great track. Plus there is a new album, Apples for Isaac coming out in September.
You can watch the video below, which is by Jef de Smet, and
an intriguing, animated piece that matches the mood and the lyrics perfectly. Even though I was a little disappointed that there
wasn’t a performance of the song as such, the video is a fantastic evocation
of Brussels as a place of ghosts, memories and faded glamour - a city where
history, art and personal stories seem to linger in every street and square.
Like the song itself, it feels both nostalgic and slightly unreal, capturing
that very Bunnymen combination of beauty, mystery and melancholy.Plus, any song that namechecks Plastic and Bert Bertrand
is going to get a listen or two from me…
Brussels Is Haunted feels like Echo & the
Bunnymen turning Brussels into a dreamscape where personal memories collide
with European history. The city is haunted not by ghosts alone, but by wars,
art, romance and lost moments - from World War I, Waterloo and World War II to
the imagined threat of World War III. In classic Bunnymen fashion, melancholy,
myth and destiny blur together: Brussels is haunted because we are.
As a quick aside, while I wrote this, I put Ocean Rain
on – because why not? I’ve already put a sell-by date on myself by saying I remember
the original split and so a little wander down memory lane wasn’t going to do
me any harm.I think almost anyone of my
generation will recognise the opening chords of Silver – the first track on the album and although I
believe that most people will say The Killing Moon is the standout track
on the album, for me it’s The Yo Yo Man.It’s amazing to think how the Bunnymen pumped out four brilliant albums
over the first five years of the 1980s (and that we took it for granted!).I seem to remember McCulloch describing Ocean
Rain as the greatest album ever made – and he wasn’t that far wrong,
frankly.Brussels Is Haunted
is pretty good, too… and after decades of Bunnymen mythology, perhaps the only
thing left is to mythologise the mythology itself.
The Adiyaman Province of Turkey in the south east of the country is not wealthy – it is still classified as a developing rural region. Yet 25 miles from the small town of Kâhta the visitor discovers the remnants of once fabulous wealth. High on the summit of Mount Nemrut is a huge but little visited necropolis, home to the beheaded gods of the past.
The Borrower community is agog with excitement. At last,
they have The Wee Tiny Art Gallery on London’s Princelet Street, near Brick
Lane: a space where people of their diminutive stature can admire fine art at
reasonable prices. Who am I trying to kid? They’re going to borrow it, of
course. Even so, it saves them from scaling enormous walls just to inspect a
painting, and its contents are perfectly sized to fit into any cosy little
niche at home. As you can imagine, queues are already forming. Image Credit
Flippancy aside, you would probably walk straight past it - zooming out shows you just how tiny it is. Created through a collaboration between McKay Lenker Bayer of the Tiny Art
Show, illustrator Holly Welch, and small-spaces builder and artist John
Connors, this miniature masterpiece is both a gallery and a work of art.
Showcasing Holly Welch’s exquisitely detailed miniatures within a beautifully
crafted structure, it is almost certainly the smallest art gallery in London
and the UK - and quite possibly the smallest in the world. We would ask a Borrower, but not one seems currently available for comment...
The video below by Daft
Monkey goes into more detail about the Wee Tiny Art Gallery. Press play and it will go straight to the part about The Wee Tiny Gallery (about the five minute mark, although the rest of the video is very interesting too!).
If you would like to see how it was made, here is a short video by the artists.
Bog is an enigmatic, beautifully made animated short, written
and directed by Éabha Bortolozzo and Jack Kirwan. Our young protagonist, Oisin
(pronounced uh-SHEEN and meaning Little
Deer) embarks on a poignant journey through the mysterious depths of the
bog.There, he uncovers the buried
memories of his beloved father. Guided by the majestic spirit of the Great
Irish Elk, he confronts his father's pain and suffering, gradually coming to
understand the emotions that have shaped them both. As he descends ever deeper
into the earth, Oisin also discovers a greater understanding of his own
feelings and learns how to express them with honesty and clarity.
Among others, Tom Vaughan-Lawlor lends his voice to the
film. One of Ireland's most acclaimed actors, he is best known for playing the
unforgettable Nidge in Love/Hate, while international audiences will recognise
him as Ebony Maw in Marvel's Avengers: Infinity War and Avengers: Endgame. His
impressive screen career also includes Peaky Blinders, Dublin Murders and
numerous acclaimed stage productions.
For me, the fact that the spirit animal spoke the Irish
language, while Oisin spoke English (even though they understood each other
fully) added an extra layer of melancholy to the story. It may not have been deliberate, but it
underlines the profound changes that Ireland has been through over the last few
centuries – and represents something else that was taken away from the Irish
people.Watch Bog below.
Can machines think?Alan Turing may have shortened the war by cracking Enigma,but it was answering this question that may well have been his greatest
achievement.This great, highly
informative video from History Extra shows how, as part of a group of
mathematicians, Turing imagined machines that could think and solve problems
independently of human intervention. This was, of course, more than seven
decades ago…
After the war, Turing turned his attention to the
possibility of machine intelligence. In 1950, he published his groundbreaking
paper Computing Machinery and Intelligence, in which he introduced the
Turing Test - also known as the "imitation game" - as a way of
assessing whether a machine could demonstrate intelligent behaviour. The ideas
he explored remain highly relevant in our age of generative AI. I wonder what he would make of the collage of his life I just requested from an AI model (top)?
Turing’s death by suicide at the age of just 41 reflects the
times in which he lived. He was unable to play the imitation game of
pretending to the world to be heterosexual and so, despite the accolades for
his war-work, he was pursued and prosecuted for being himself. This led to his
death.Later, of course, he would be
celebrated as the father of modern computing – I just find it a desperate shame
that he died thinking that his reputation was irrecoverably damaged.
Watch the fascinating video about Turing’s life and
achievements below.
Nobody teaches us to say it, and yet
everybody says it. I just need to get away for a while. We say it after bad
years and bad news, after burnouts and break-ups, and sometimes after nothing
we can name at all. The curious thing is not that we say it, but what the
sentence assumes — that whatever is wrong with us is somehow anchored to where
we are, and that a sufficient quantity of distance will loosen its grip.
It is a very old assumption indeed. For as
long as human beings have been getting themselves into trouble, they have been
packing their bags and going somewhere else to get better. The question worth
asking is why we remain so certain that it works. Image Credit Wikimedia
The Ancient Roots of Retreat
The retreat, it turns out, is one of
humanity’s most persistent inventions. The ancient Greeks travelled
considerable distances to sleep in temples dedicated to Asclepius, the god
of healing, in the hope that a cure would arrive in a dream — an
early example, perhaps, of the restorative mini-break. The early Christian
hermits went further still, walking into the Egyptian desert to be
spectacularly alone with their thoughts. Medieval pilgrims wore out their shoes
on the road to healing shrines, and monasteries perched themselves on mountains
and remote islands with what can only be described as deliberate inconvenience.
It would be easy to mistake all this for
escape, but that rather misses the point. The hermit was not running away from
the world so much as constructing a silence in which he could hear himself
think. To retreat, in the original sense, was not to flee. It was to create
enough distance from one’s ordinary life that one might return to it as
somebody slightly different.
I have always been a little uneasy about human bodies in
museums, regardless of their age. It isn’t a disquiet based on religion, but
around the issue of permission.I’m
opting for cremation when my last page turns, and that will avoid me becoming
the Tollund Man of the year 4000 no matter what the cause of my demise
(hopefully). I wouldn’t want people gawping at my human remains – although I can
think of any number of people who would probably relish the thought of people
looking at them thousands of years in the future. Not my kind of immortality, I’m
afraid!We will obviously never know
what Tollund Man or Grauballe Man, two of Denmark's most famous
'bog bodies,' preserved for over 2,000 years in peat bogs mightthink of the ultimate fate of their bodies.It’s unlikely that they would even understand
the concept of a museum, let alone their place in it.And besides, besides, besides…
On to the video. Ole Nielsen of the Silkeborg Museum walks us through the
discovery of Tollund Man, whose case was as cold as can be (even though his
death was not natural), but whose face is the best-preserved from pre-history
that we have and who gives us many clues about what life was like in the way
back when.The team at the museum also
use cutting-edge technology to see more of Tollund Man’s physiology – and the
results are remarkable. What I always find even more fascinating, though, are the reconstructions of ancient faces - and there is one at the museum which shows us what Tollund Man would have looked like just before he died. I used that to ask AI to visualise him in his native habitat - that's the image you see at the top of this post.
As I said, I do have
some reservations around bodies being exhibited in museums, but was a little
comforted (if that is quite the right word) by one of the comments on the video
by @LPdedicated.It goes: “I worked at
Silkeborg Museum and every morning when I opened the exhibition, I would just
sit in the room with the Tollund man in silence for a few minutes before I went
to my office… Fun fact: every year at the start of November his birthday is
celebrated at campus".So, although he
could never envision what would happen to him after his death let alone give permission, at least Tollund
Man had some at least one thoughtful companion in the museum.I am sure the commenter is not the only one to have spent time
reflecting in this manner – and there aren’t many people who have been dead
2,400 years whose birthdays are still celebrated. So perhaps TM wouldn't be too unhappy about it, after all.
I digress.Watch the
fascinating video about the Danish bog bodies below.
As you (may) know, at Kuriositas we like to showcase some of
the best student-created animated shorts.Many, if not most of them, tell stories that are action-heavy, which
helps show off the technical prowess of the students.Fire is something quite
difference.While it certainly covers
the elements that the students must show in order to complete their degree,
this tells and altogether different story.As such it is refreshing to see a group of collaborators take such a
distinct and different pathway to the norm.What we get initially is a beautifully rendered series of images of a languid
summer’s afternoon, almost as if time has stood still. It's a perfect summer's day. A cat is our protagonist (if it can be called
that) as he meanders around the yard and inside the house. Yet even as he does
so, there is a steadily increasing sense of unease that something isn’t quite
right.
Of course, the house has been abandoned due to an encroaching
fire.It’s a prescient piece of
filmmaking in that respect, as so much of Europe has been impacted by successive
heatwaves over the last few months.As
the fire encroaches, its impact is felt. This is an impressive piece of
animation, one that had me transfixed from start to finish.Congratulations to the directors, Baptiste
Fraboul, Esther Lamassoure, Julie Le Forban, Valentin Serre, Léna Gittler, and Florent
Sabuco of École des Nouvelles Images for producing something so special. Fire
was produced by Julien Deparis, and sound design was by Pierre-François. I would also like to specially mention the
soundtrack by Mathis Coopman which superbly catches the atmosphere of the
disaster in a very Pink Floydy kinda way, combining with the animation to create something truly cinematic.No wonder this animated short has won awards!
Graphics used to be the headline act. For years, gaming’s biggest selling point was simple. How real can we make this look?
Each new console generation arrived with a quiet sense of anticipation, bringing sharper textures, richer lighting, and more detailed worlds to explore. You could feel the progress, even in small moments.
The release of the PlayStation 3 almost 20 years ago, that transition from the 480i standard definition era to 720p/1080p HD, was one of the most notable improvements to happen in one big jump.
The way light hit a surface, the way a character moved, the way a landscape stretched out in the distance.
Trailers leaned into that sense of discovery. They lingered on environments, on faces, on tiny details that showed how far things had come. There was a kind of fascination in seeing familiar ideas rendered with just a little more clarity, a little more depth.
Playing a new game felt like stepping into something that had been carefully built to be seen as much as experienced. There was time to take it in, but now expectations have shifted with the rise of esports.
Competitive players see graphics differently. A dropped frame can cost a match. Visual clarity is information, not feeling. Graphics create fairness, not atmosphere. A new generation of players will sit in front of Twitch streams and be able to watch, interact, and even use top US online casinos to bet on live video games.
Few games have travelled as far, or changed as many times, as bingo. It has been a Renaissance-era state lottery, a French parlour game for the aristocracy, a German teaching tool for schoolchildren, and a beloved fixture of seaside halls and community centres. Today it lives happily on screens around the world. The story of how a simple game of matching numbers spread across five centuries and several continents is one of the more delightful curiosities in the history of play.
It Began in Renaissance Italy
The earliest ancestor of bingo can be traced to Italy in the 1530s, shortly after the unification of the country's various states. A national lottery called Il Gioco del Lotto d'Italia was established, and remarkably, a version of it still runs in Italy to this day. Players chose numbers in the hope of matching those drawn, and the game became a reliable source of revenue for the state. This early lottery contained the essential seed of bingo: numbers, chance, and the communal thrill of the draw. As the reference workEncyclopaedia Britannica notes, the game has carried many names and forms across the centuries, but that core lottery mechanic has stayed remarkably constant.
If the first words that just came in to your head were never in a million years, then you are probably in good company. The Svolværgeita mountain in Norway was first climbed just a little over a century ago in 1910. Yet since then a tradition has emerged among the mountaineering fraternity: those who reach the goat’s horns jump them. Because they can.
The town of Svolvær in Norland County nestles below the mountain. It is situated in Lofoten (which we have visited before on Kuriositas) on the south coast of Austvågøy, and faces open sea to the south with the mountain directly to the north. It is easy to see where the goats horns got their name. There are two spiky rocks which only the most experienced rock climbers can (safely) reach.
Lurks should be a training video for the Intergalactic
Federation of Planets called “What NOT to do if you crash land on a mysterious alien planet” because the protagonist does so many things wrong. You would think that she has never watched a
horror film before – and this trope-laden animated short by ESMA graduation
students deliverers them one after another (after another). Now, reading back, that doesn’t look like
much of a plug for this, but I found it immensely entertaining (although I desperately
wanted some sort of final twist in the tale, right at the end, which did not
appear but which could have raised the bar here, in terms of structure and
storytelling).
The planet, spacecraft and character animation (especially
the monsters) are extremely well realised, especially considering this is a student
film.There are any number of
technically very difficult sequences in this short, and hats off to the team
for delivering them with great aplomb.Altogether, a chilling cautionary tale of how to survive an alien environment
– or not.The students who created this
are Kelssy Abdou , Ikram Benmaza, Mélodie Carn, Amanda Cere, Adrien Chaumier,
Maëlle Couzinier, Maëline Dalous, Victor Del Campo and Aglaée Pons. Music was by
Valentin Guay with sound created by Tristan Le Bozec, Guilhem Favard and Jose
Vicente.Well done to everyone involved
in the project.
The Moor Frog of Central Europe has a trick up its sleeve when it comes to getting a mate. The male turns blue for a week each year but it's perhaps not for the reason you think! Pop over to the Ark in Space to discover the real reason (and it’s not to attract a mate!).
It looks like it could be something offered to Alice just before she makes a journey in to Wonderland but this sky blue mushroom is not a product of the imagination of Lewis Caroll. It can be found on both islands of New Zealand – and bizarrely enough in a few places in India.
There are very few artists whose names have become
inseparable from a single colour. Mention blue, however, and many people will
think immediately of Yves Klein, whose obsession with an intense ultramarine
hue gave the world International Klein Blue (IKB).
This beautifully crafted live-action short is Jan Hellwich's
thesis film at Filmakademie Baden-Württemberg. Inspired by Klein's own diary
entries and writings, it explores the artist's conviction that blue was far
more than a colour: it was the embodiment of the infinite, found in the endless
meeting of sea and sky.
The imagery is glorious. Manuel Villasante Ayuso, Voicu
Dumitras and Finn Fluche are wonderfully cast, moving through sun-drenched
landscapes where the dazzling blue sky becomes as important as the characters
themselves. The cinematography perfectly complements Klein's poetic
reflections, including his delightfully eccentric complaint that birds flying
across the sky were making holes in his greatest work of art.
Part philosophy, part visual poem, this is an assured and
atmospheric debut from Hellwich, and a fitting tribute to one of modern art's
most distinctive figures.
Lapis lazuli is the semi-precious stone from which the
pigment ultramarine is made.The
relationship works like this – the mineral Lapis lazuli contains lazurite.There is evidence that it was mined in the
mountains of Afghanistan as long ago as the 7570 BC. For centuries, artists
ground lapis lazuli into powder and then used an elaborate purification process
to separate the blue lazurite from the other minerals. The resulting pigment - natural
ultramarine was one of the most expensive pigments ever used and often cost
more than gold, and appeared in many paintings of the renaissance, notably to
form the gorgeous blue of the robes of the Virgin Mary.
This video explores the history, science and artistic
importance of lapis lazuli, the rare blue stone used to create the pigment natural
ultramarine. The presenter visits artist and historian David Margus, who
demonstrates how the stone is transformed into pigment by crushing it into a
fine powder. As the rock is broken apart, the sulphur within it becomes
apparent, and we learn that its unusual chemistry is responsible for the
brilliant blue colour.I wanted a
valuation of the great lump of Lapis lazuli featured in the video but, alas,
that was not forthcoming.Regardless,
this is very interesting!
Goodbye Bonnie Tyler – and thank
you for all your wonderful, gutsy over the top performances.You will most certainly be missed – although we
still have your music.Without wanting
to sound maudlin, when you reach a certain age and pop and rock icons shrug off
their mortal coils, it does lead to a little reflection – and I have very fond
memories of Bonnie Tyler.Like a lot of
people, I first came across her music with Lost in France – while not
her first single, it did see her first entry into the UK charts. Sliding
gracefully into the Top 10, it was a breezy country-pop delight, with the video
particularly popular – she was just lost in France, in love.
The next Tyler song I remember is
It’s a Heartache, a great number with the first real vinyl appearance
of her raspy vocals.As the press soon
told the country, this was the result of the removal of nodules from her vocal folds
– and while perhaps an inadvertent side-effect of the operation, it gave Tyler her
trademark voice for which she will always be remembered.
Although Tyler continued to
record and release, she fell of my radar until 1981’s Total Eclipse of the
Heart which was really very difficult to miss.With a quite startling video (very bug budget for the time, too) and our first glimpse of rock
opera Bonnie (as I have just christened that particular incarnation of hers), it
was a global hit and remains close to the hear of millions of people.In fact, in the homage from the British channel
ITV, an interview is played from when she sang the song at the moment of a
total solar eclipse.
Nos da, Bonnie. Cysga'n dda.
...And while we'er at it, why not listen to Total Eclipse again? As much as Bonnie Tyler never got sick of singing it, this is a song that so many of us return to time and time again just for the sake of listening to it one more time...
League of
Legends (LoL) is an iconic video game that has become part of modern esports
culture. Developed by Riot Games, League of Legends has become one of the
world's most popular multiplayer online battle arena (MOBA) games. Many people
enjoy the game from the comfort of their home. Professional players compete in
esports tournaments to showcase their skills and achievements. They use more
than 100 characters to compete against each other online.
The esports sector places more
emphasis on critical thinking abilities than traditional sports, which mostly
rely on physical power. Additionally, League of Legends is a cooperative video
game that requires players to cooperate in order to defeat the opposition. The
most devoted fans support their favourite teams through LoL bettingat GGBet, which comes with reasonable odds and
transparent payouts. Image Credit Unsplash
Although he died at just 36, Toulouse Lautrec was able to
both live a remarkable life and produce art that will persevere through the
ages.Yet, astonishingly, during his lifetime
he was little-known as an artist outside of Paris.Although he did enjoy much more success at
the time than his contemporary and good friend Vincent Van Gogh, it is perhaps
something of a shame that he was never to know how well-loved his works would
be on a global scale.
Pete Beard, whose YouTube channel focuses on illustrators of
the past, here examines the life and works of Toulouse Lautrec. It really is as
much as you will ever need to know about the man if you have, say, just a
passing interest in his work.Throughout
the video, we get to see probably close to a hundred of his posters, illustrations
and paintings – and who would have thought that a Debussy soundtrack would go
so well with them?I will now let Mr
Beard tell you the story.
This particular bird has no wings and will never fly. However, people around the world will stop and gawk at its flightless beauty. Take a look at the bird of paradise without wings.
There is so much happening in Bye Bye Bunny, a degree
project animated short by Rubika students, that it could easily be extended into
a full-length feature.Having said that,
it would probably give the world’s children nightmares as although the colour
palettes are what you might expect from an animated escapade, it has moments
which can only be described as incredibly dark.As such it’s my kind of animation!
It tells the story of a magician and his friend, assistant
and, well, prop, a rabbit.Their joint
career is going swimmingly until the day that all the rabbits on the planet
disappear. Unfortunately, this world event happens in the middle of the
magician’s performance, and he is howled off stage.However, that isn’t the end ofthat – watch the animation below to see what
happens next!
Bye-Bye Bunny was directed by Julia Bueno, Cheng Li, Catherine Lepicard, Inès
Pagniez, Julien Roguet and Paul Torris. It features music by Kenny Wood and
Florian Calmer, with sound mixing by Kamal Ouazène, bringing together a small
but carefully crafted team behind its production.
William the Conqueror, 1066 – played on the Saxons cruel
tricks. I don’t know if you are old enough to remember the first lines of a
poem I was forced to learn at school which detailed several important
historical dates, beginning with the Norman invasion of England, but this video
will help explain the cruel tricks.I for one truly wish this has been around in my childhood! The
British Museum (aided and abetted by Hocus Pocus Studio) have created this fantastic,
animated explanation of the Bayeux Tapestry, telling the story from the
beginning to (for the Saxons at least) its bitter end.It really brings the tapestry to life and
the narration by Claudia Winkelman (an English broadcaster and writer immensely
famous in the UK zips through the history with ease (and the occasional knowing
wink to the audience).
The video is designed for anyone 11 and over who is interested
in finding out the story of the Bayeux Tapestry as well as some of the facts
and figures associated with it.It doesn’t
patronise, but it explains what the tapestry is and why it is such an
extraordinary testament to William the Conqueror.As a big kid in adult disguise, I found this
immensely entertaining.
The video was created to accompany the British Museum’s
hosting of the Bayeux Tapestry. This
will end on 11 July so get your skates on if you still want to see the real
thing before it returns home to France. In the meantime, watch the video
below.
It’s one of those questions I have never considered asking,
but now I come to think of it, I really want an answer! How is it that
astronauts don’t run out of air on the International Space Station?In the early days of spaceflight, oxygen was
stored in tanks, but the flights were short(ish) and so enough could be carried
along with the craft to ensure the astronauts didn’t suffocate on their way there
and back..Yet if you are on the
ISS, there is a limit to the amount of oxygen tanks you can bring along with
you.The Apollo 11 Mission, which took
three astronauts to the moon, and took seven days, had 50kg of oxygen (which
was plenty).However, six to eight
months in space with seven crewmates – that would be way too costly.
So, enter electrolysis and a system called MOGA (and that
doesn’t stand for Make Oman Grest Again).That’s
about as much as I will see as this fantastic lesson by Ted-Ed covers
the rest extremely well (I understood it, so that means it’s pretty
accessible!).Alvaro Romero-Calvo and
Theo St Francis investigate – and do a great job.However, I was particularly drawn to the
animations (see what I did there?) and they are uncredited – as far as I can
see – but thank you to them too!
Olivis Coleman as a self-service checkout till that answers
back? Yes, I’ll have some of that, thank you very much. Of course, a till that answers back needs a
customer to backchat, and that comes in the form of hapless Henry (played by the quietly handsome Jamie Blackley)
who has reached the ripe old age of 26 and is still required to prove his age
when he buys alcohol. However, that is
the least of his worries. Hapless Henry
is also hankering for the human cashier (Isabella Laughland) but there is
always a reason – or an excuse – for him to end up on the self-service side of
the supermarket (and Coleman’s remark about the tissues he is buying will have
you in gales).
Unexpected Item has quietly built an impressive
festival record, collecting Best Film awards at the Anaheim International and
Cambria Film Festivals, Best Comedy Short at both the Orinos Film Awards and
Independent Short Awards, Best Short Film at the Vegas Movie Awards and Falcon
International Film Festival, and Best Romantic Comedy at the Top Indie Film
Awards. It has also been officially selected for festivals including Norwich,
Carmarthen Bay, Queen Palm, Austin Comedy, and JellyFest. Directed by Stephen
Gallacher and written by Chris Croucher, the short tells a warm, witty story
about courage, human connection, and the small inner voice that sometimes gives
us the push we need to reach out to one another.It’s lovely.
The Hillywood Show is never one to tighten its belt when it
comes to budgets, and this parody of Star Wars looks like it was pretty
expensive to make.It’s huge fun,
too.Filmed using anamorphic lenses to
capture the sweeping 2.39:1 cinematic aspect ratio of the original trilogy,
this restoration delivers a spectacular UltraWide presentation in
stunning 4K or 8K resolution.All your
favorites are here – Luke, Yoda, Han, Leia, Chewbacca – and what Star Wars parody would
be complete without an appearance or two by Darth Vader!
The commenters of YouTube are ecstatic. Viewers are hailing
the parody as Hillywood's most ambitious and polished production to date,
marvelling at the painstaking recreation of the original trilogy's sets,
costumes, lighting and cinematography. Fans singled out everything from the
inspired casting - particularly Jim Beaver as Obi-Wan (although I was rather taken
with Supernatural’s Matt Cohen as Han Solo) to the pitch-perfect vocal
performances, while the now-iconic lightsaber guitars became an instant
favourite. Long-time followers described the video as a triumphant return, with
many sharing how Hillywood's parodies have brightened their lives for years. Just
as enthusiastically, commenters applauded the prominent "No AI"
message, celebrating the production as a showcase for the creativity,
craftsmanship and passion of a talented cast and crew working entirely by hand.Altogether, if you are a Star Wars fan, you
will find much to enjoy in this parody – and even if you are just a toe-dipper
into this particular universe, you will find something to smile about here!
If you need something to brighten up your classroom wall,
then look no further. I took a little
while to create these posters – and trying to tame AI to produce something faithful to
them was an uphill struggle.
However, here are the finished items, which you can download free of charge here. And yes, they do use AI but because that
means that you and I do not have to worry about copyright issues. I see so many
posters created by well-meaning teachers who have blithely used the work of
others to illustrate the literature that they teach – I wanted to avoid that
altogether and now technology has finally caught up with that desire!
I started with Ozymandias, which I have very fond
memories of studying while I was at school. Its message is as powerful today as
it was when Shelley wrote it, reminding us that even the mightiest rulers,
empires and achievements are ultimately fleeting, while time and nature outlast
them all.
My teacher did some marvellous
things with her voice when reading the poem out loud – and although in hindsight
it may have been a little too bombastic (you should have seen her doing Charge of the Light Brigade), we enjoyed her theatricals.
A robot works deep underground for a civilisation long since
disappeared (that would be us). It is a lonely existence and when
a cat strays from the surface and finds its way down to the bot’s subterranean
lair, what’s a cat expected to do except steal the shiny, bouncy antenna thing from the
bot’s head. And so ensues a chase to the
surface and the discovery of a new friendship for both bot and cat. Sounds very simple? Well, it is – but the secret of good story telling
always lies in the way it is told. Bot
and Cat manages to be very, very straightforward yet deeply profound at the
same time. It’s charming yet thoughtful simultaneously.
The commenters of YouTube love it. Many describe the
seven-minute animation as an emotional masterpiece, praising its beautiful
storytelling, evocative music, gorgeous backgrounds and polished animation.
Viewers say they were left in tears by the robot's touching journey, with one
remarking they'll "never get tired of 'robot goes against its programming
to experience the beauty of nature' stories". Others were astonished by
how few people had seen it, repeatedly calling it "underrated" and
predicting the studio behind it is destined for future success. Several even
suggested it outshines big-budget Hollywood productions, while hoping it goes
on to win festival awards and reach the much wider audience they believe it
deserves. Agreed!
Created by a group of students (collectively known as HermitCat Studios for their thesis project at Canada’s Sheridan College, this wonderful
piece of work utilises the talents of Mo Hassan, Jenna Pomfret, Julia Lin, Nomy
Fang, Rie Wong, Daniel Young, Travis Li, Yi-Ting Yuan, Kiwi Prommart, Charlotte
Royal, Yoonji Nam and Heidi Pan. The original (and rather lovely) score is by
Johnny Knittle.Watch Bot and Cat below.
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